Capturing Abandoned Train Cars and the Milky Way

I’ve seen photos of these abandoned train cars at night before, and I’ve always wanted to capture them myself. hat opportunity came last week when a friend asked where I’d like to go to shoot the Milky Way. I immediately suggested the train cars in Jacumba. I took two similar compositions of the train car and blended each one with the same Milky Way background. I titled them “The Early Train” and “The Late Train.”

The train car itself was photographed during blue hour, when there was still enough light to achieve a clean exposure. The night sky was captured close by, facing the same direction. This means the final composite represents what you would have actually seen if you were standing there—looking at the train with the Milky Way directly above it. Shooting the two separately allowed me to capture the sky unobstructed and made it easier to seamlessly combine with the train image.

After merging the images, I edited them with some artistic license to enhance the details that the camera was able to capture. I am often asked whether this is what I saw with my own eyes. The honest answer is no—the human eye cannot perceive the light and detail that a camera can record in these conditions.

Click are tap the image to enlarge.

Here is different view of the train and sky. The Milky Way in this section of sky was much less prominent.

Finally, here is a shot of the train and sky as they appeared toward the end of blue hour.

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Alabama Hills – December 2024

Last month, I took a short trip to the Eastern Sierra. Originally, I planned to spend the week at Death Valley National Park, but I decided to stay in Lone Pine for the first night—and it turned out to be one of the best decisions of the trip. I ended up capturing some of my best photos of the year.

I had intended to shoot the Sierra crest around Mount Whitney as it lit up with the pre-dawn glow. But what I discovered instead was the Alabama Hills, bathed in a beautiful, soft light. I was especially drawn to the rounded boulders, which seemed almost out of place with their smooth, spherical shapes. I’d photographed these boulders before, but the harsh light at that time hadn’t done them justice. On this morning, however, the thin cloud layer on the horizon gave the sunrise a soft pink glow, creating an ideal atmosphere for the shot. Inspired by this scene, I decided to turn it into a long-term project, which I named “Lost Marbles.” The project focuses on capturing images of rounded, seemingly misplaced boulders in nature.

Below, I have included six of my favorite photos from this trip, which included a short visit to Death Valley National Park. To view the full collection of photos from this trip, go to the gallery on my website.

Lost Marbles #2
Lost Marbles #3
Lost Marbles #4
Boulder Castles

Before I left the Alabama Hills, I met two mountain bikers filming jumps with the Sierra Mountains as a backdrop. They let me join them with some shots!

Flying High

This last photo was take around Zabriskie Point in Death Valley National Park.

Patterns of Time